Case Study Type: Contract

Tapped to furnish a Denver high-rise that boldly pays homage to its surroundings, Rhiannon Roberson sought elevated pieces that complemented a modern yet earthy aesthetic.

Denver’s RiNo district is located north of the Platte River, adjacent to downtown and with views of the mountains. It’s a cool-kid neighborhood where old warehouses give way to wine bars, art galleries, and striking high-rises such as One River North, a spectacular residential tower that showcases a landscaped rift inspired by the canyons formed by the Colorado River.

When Beijing-born architect Ma Yansong of MAD Architects designed it, he integrated nature and architecture within its indoor and outdoor spaces. The smooth-edged cracks and curves cutting through it teem with drought-tolerant plants adaptable to Colorado. Residents adventure up and across the canyon, passing from foothill to trail to alpine plateau.

Enter Rhiannon Roberson of Davis Partnership Architects, expanding on Yansong’s natural aesthetic. “I grew up hiking these mountains, whose variety of textures and tones, woods and waters influenced and inspired me as I contemplated the project,” she said. A past visit to the Sossego Design showroom also shaped her plan. “I was smitten by Aristeu Pires’ beautifully crafted Brazilian-modern furniture and knew one day his Duda chairs and stools would be perfect for a project. This was it,” she said.

Rhiannon’s selections reflect a mix of woods and color tones encountered in a forest or on a trail, pairing beautifully with the building’s landscaped canyon and curvy, plaster-finished design features. For seating at the sleek, quartz-topped counter where residents gather, she chose the Duda counter stool in sustainably harvested Jequitibá wood with Belgian Meadow upholstery. At round tables throughout the space and in the nearby conference room, the Duda chair in Jequitibá with upholstery in chocolate Maiori paired well. “The Duda has an attractive price point, and that curve in the chair’s back flows like water,” said Rhiannon.

To create an impactful lobby, there were practical and aesthetic considerations: residents coming and going and the desire for a clear and harmonious view of the outdoors. With its body-hugging contour hand formed of baked-in-the-sun cardboard, the Leiras chair by Domingos Totora was a stunning choice. “It’s comfortable, insanely proportionate for anyone I’ve seen in it, and as with all Sossego pieces, the story behind the chair is fascinating,” the furniture specialist told us.

Pires’ Ylla bench in sleek Jequitibá beckons just across the lobby. Though rarely empty, up to four individuals can enjoy its satiny ripples and curves that evoke a mountain stream at once. Like the other Sossego pieces and the Fitwel-certified building they’re part of, the light and airy Ylla brings the outdoors in. “My client, who has excellent taste, is quite pleased with the project. I am, too. Bringing good design to the place I’ve lived since I was two years old is incredibly honoring.”

 

 

Predalina, a Michelin-recognized, Mediterranean-inspired restaurant, honors the life and legacy of Predalina Oliviera. This labor of love celebrates a life well-lived, blending old-world charm with contemporary elegance.

 

On a bustling corner of Water Street Tampa, a new story unfolded. Blake Casper and Allison Adams, restaurateurs with a vision, dreamed of a place that would honor their great-grandmother, a woman whose 101-year journey spanned from the shores of Brazil to the coasts of Portugal and Rhode Island, fostering a resilient spirit and love for the waterfront. 

The story of Predalina is woven into every detail, with each element chosen to create a sense of authenticity and comfort in a space that feels both modern and timeless, sophisticated yet welcoming.  The design team envisioned an airy, light-filled atmosphere, where the boundaries between indoors and outdoors blurred. 

Choosing to forgo excessive layering and art, the designers opted for materials and furnishings to do the talking. The team knew each element needed to be rich in form, quality, and detail for a visually compelling space. They selected pieces from Sossego, starting with the Laura Barstool–its mix of materials, soft curves, and comfortable seat made it the perfect choice.  Julieta Armchairs, with their rich finish and elegant design,  complement the overall aesthetic and invite guests to linger over long meals and deep conversation. 

Rich hand-troweled plaster walls, authentic terra-cotta tiles, graceful arches, and natural reclaimed stone ground the space, giving it a sense of history. Old-world lanterns cast a warm, inviting glow, while the modern furnishings provide a striking contrast, telling a story of its own. The result is a space that ADAC Designer of the Year judges remarked “feels comfortable in its own skin.”

Beyond the dining area, Predalina’s retail section offers a shoppable lifestyle experience, beckoning guests to take a piece of the restaurant’s essence home. From custom home fragrances to cookbooks and Moroccan ceramic bowls, every item was curated to embody the Mediterranean-inspired culture the restaurant celebrates.

Located in Tampa’s Channel District, Predalina contributes to the forward-thinking architecture and vibrant landscape of the neighborhood, bringing  a robust narrative to life through thoughtful design and material selection that respects the legacy of a remarkable woman.

 

 

A high energy architecture firm deconstructs, then elevates, a 1980s suburban office building by creating dynamic spaces designed to attract more distinguished tenants.

 

Melanie and Chris Tantillo have teamed up on more than their marriage. The architect and his wife, who works in commercial furnishings, joined forces to bring keen vision and sophisticated taste to the Research Plaza project, which had them literally thinking outside the box of a dated office space.

For starters, the architect completely transformed the space by stripping out many of the old trappings such as numerous fake columns that stood eight feet apart, opening up the environment with design features by raising the ceiling and putting in a soffited light fixture; dropping down the second-floor windows for a more light-filled first floor that offered a better view on the plaza; and installing a glass railing in place of an old one.

While elevating the property they were careful not to overpower it. True to form they layered with texture and materiality, using elegant furnishings that were durable and looked good from afar, yet held up to close scrutiny through excellent craftsmanship. From their place of prominence inside the glass overlooking the plaza, the Sossego upholstered Gisele armchairs by Aristeu Pirès welcome visitors to come in and have a seat.

“Our client of 17 years, Rubenstein Partners, has high standards, which we always try to exceed,” Chris Tantillo told us. “When the job was finished after 8 months, they said, ‘This project is transformative. We’re very happy with the results,’ and Melanie and I agree. We’d love to keep using Sossego products on all our projects, quite frankly.”

 

 

In 2016 Chef Brandon Jew launched contemporary Chinese restaurant Mister Jiu’s in San Francisco. In Chicago, Jonathan Durling was opening his Sossego showroom to introduce modern Brazilian design to North America. For both men, it was the start of something big.

 

In a four-story Chinatown building constructed in the 1850s, up-and-coming chef Brandon Jew envisioned a modern restaurant that would celebrate the legacy of traditional Chinese food, In the planning and reconstructing of the enormous space, designer Michael Soelter went on the hunt for beautiful pieces that fit his imagining of the building they had taken down to the studs.

In his search, Soelter became enamored with the artistry of Aristeu Pires, designer of modern Brazilian furniture just then on display at the newly opened Sossego showroom at Chicago’s Merchandise Mart. The designer could picture Mister Jiu diners relaxing over sea urchin, barbequed pork, or tea-smoked duck in chairs of buttery smooth Jequitibá or Louro Freijó wood as they conversed around tables set beneath gold lotus chandeliers. When they placed an order for the chairs, he gave Sossego its first big sale.

If Brandon Jew was reimagining the Cantonese cuisine of his youth in an exquisitely designed setting when he gave birth to Mister Jiu’s, so, too, had Sossego’s Durling drawn on memories of his early years – those spent swaying to sleep in the comfort of a hammock that hung above his parents’ bed – when he pondered bringing modern Brazilian design and craftsmanship north.

In doing so, Durling introduced a way for diners in restaurants like Mister Jiu’s to enjoy their dining experience surrounded by beauty, comfort, and a bit of sossego, which in Portuguese means “a uniquely Brazilian way of being marked by calmness and tranquility.”

 

A multi-family apartment building in Florida breaks all the rules for what common areas should look like when its architect-design team, who are husband and wife, take a holistic approach.

 

Iconic mid-century architect Gene Leedy provided major inspiration for Jessie Shell’s love of modern design. Her husband Fadi Garcia, a Cuban immigrant whose primary influence for becoming an architect was Havana’s modern movement, shares her ideals of the built environment. Together they’ve embraced holistic design, which is to connect architecture and design.

Their philosophy is to make architecture “of its place”: influenced by the building’s site, climate, and environment. At Sur Club that meant creating functional, comfortable gathering places in expansive, light-filled spaces. In true mid-century style, finding good synergy between the amenity spaces and the courtyard itself.

Working within the developer’s standard project budget, the team looked for timeless, beautiful furniture. “With all that light, we didn’t want to ground the floor too much,” Shell reflected. “That’s when we came across Sossego. One of the great things about the pieces is they are very light. And they offered a broad range of furniture to help create inviting spaces.”

The couple was also sold on the selection and authentic materials Sossego offered: real leather and warm Brazilian wood that contrasted with the space itself. A curvy Domingos Tortorà Frisos Disk that undulates with light. The ropes on the Giselle chair that mimic vertical design features the couple created. And the Ylla bench, with curves that suggest a canoe moving through water. “Our client was just blown away,” Shell recalls. “People come into the building just to look at the amenity spaces, and the apartments have filled up fast. We hope to keep raising the bar. Good design really sells.”

 

A designer channels the natural geology of Arizona to create an extraordinary urban space to advance post-secondary educational opportunities for the underserved. What could be more inspiring?

 

The Helios Education Foundation had a clear vision for its new unified campus: create a building that will last at least 100 years that is so thrilling, our partners can’t wait to come inside and exchange ideas. The architect and design teams created an atmosphere of wellness that evokes the features and colors of the nearby mountains and desert.

Visitors decompress from the moment they enter the “car park”, where works by Latin artists hang amid natural features: healing plants, native trees; a two-story cascading curtain of greenery; a rain chain; benches carved from Eucalyptus trees removed during construction then dried for a year.

The client’s emphasis on sustainability and comfort led the designer to Sossego. “So much of the other furniture looked alike,” they reflected. “The care, design, details, and human touch that went into the craftsmanship sold us. When creating indoor and outdoor spaces that invite spirited conversation, we chose materials for the Sossego pieces that play off and connect with features we incorporated, like the greenery that runs in patterns like water down angular mountain-like walls.

In this way, the raw cotton roping on the Giselle rocker draws the eye to the rope chain that’s visible from several different places in the building. “We were able to keep the same “language” from space to space. We didn’t just pick out a bunch of furniture, we chose pieces that reinforce the interior and the architecture.”

 

For Workflow, curating an eclectic blend of moveable furniture for amenity spaces with a singular view of the Boston seaport meant finding pieces whose scale and silhouette let the view come through.

 

The team at Workflow was well-suited to furnish multiple public environments at the mixed-use building in Boston’s seaport. As designers and architects themselves, the team embraced its role selecting and procuring furnishings, storage, and accessories that complimented the architecture while the building was still under construction.

With competition for big tenants fierce, Workflow sought furniture that would evoke high-end hospitality, so they looked for pieces made with rich, natural materials like leather and wood that were interesting to look at from different angles. For the bar, the backs of Sossego’s Duda stools were beautiful without blocking the design of the bar itself.

Workflow was blending airy, modern pieces with a variety of wood tones from 40 different manufacturers. They loved how the scale and design of Sossego’s Angela armchair played well with the other pieces – a solid, high-style silhouette yet light on its feet. Important because tenants may rent the spaces for events, so furniture must be easy to move.

It turns out eclectic, modern, and unfussy go well with playful and fun, for an overall vibe that’s sophisticated but still attractive to tenants with a young workforce. And there’s always that gorgeous, unobstructed view of the harbor; from out on the terrace and from the interior spaces. A marriage of good design and careful curation of just the right pieces.

 

 

Designing a workspace for themselves in a historic brick and beam loft gave Workflow a chance to integrate products from its own roster of 50 go-to manufacturers into a layered and cohesive environment.

 

Workflow became its own client when they expanded their offices into a vacant upper floor of their historic loft building. With its small footplate, that meant getting rid of drywall and cubicles to open the space and install an eclectic mix of furniture that showcase an inviting hospitality aesthetic.

They did so through skillful layering and soulful materiality selection, using warm wood tones found in the brick walls and oak beams: Sossego’s Lupita and Beatriz upholstered armchairs, different from one another but speaking the same design language; blackened wood flooring; a sumptuous leather booth. Domingos Tortorà’s Frisos wall piece, a sculpture of cardboard and mud put out to dry in the Brazilian sun, its color connecting it to a symphony of other wood pieces playing against the black floor.

A custom bar with premium finishes and exceptional craftsmanship, not to mention high-tech features like a wi-fi charging countertop, took center stage, so designers introduced the Duda stool by Aristeu Pirès, all angles and curves and comfort. It mirrored the quality of the bar without stealing the spotlight from it.

A most excellent balancing act and juxtaposition of old-world space meets sleek new furniture and finishes. Tailored corners, joinery, and legs that come together in tabletops, are more than a tip of the hat to the architecture; they unify the structure of the space with its curation so well that the design team and the client both deserve to take a bow.